I Tried the Hangi Buffet at Pataka Kai, Te Puia

I Tried the Hangi Buffet at Pataka Kai, Te Puia

I tried the hangi buffet at Pataka Kai, Te Puia. Since getting to Rotorua, I had been wanting to try a real hangi buffet, and Pataka Kai at Te Puia seemed like the right place to do it. The day we went they was hosting a buffet, so we headed over.

To be completely frank, I didn’t really know what to expect from this buffet. It blended traditional Maori food preparation techniques with the usual food you find at buffets everywhere. It turned out to be quite an interesting experience, and I’m happy that we went out there to give it a shot.

The other thing that took me by surprise was how well it all slotted in to the rest of the Te Puia experience. You don’t simply turn up here for lunch.

Food and Cultural Experience at Te Puia

Te Puia Buffet – Pātaka Kai Restaurant, Bar & Café

Pātaka Kai restaurant entrance gate

A chalkboard A-board reading Hia Kai Café, open

You arrive at the cultural centre’s grounds to find the restaurant. You step into a place that truly focuses on teaching and preserving Maori arts and crafts. After lunch, I didn’t plan on spending a good chunk of time wandering through the galleries and workshops, but it turned out to be my favourite part of the visit.

The restaurant is located within the Te Puia grounds and it’s clearly signposted so we followed the path in from the carved entrance gate. It wasn’t too formal but felt very welcoming and relaxed which I liked. I had booked ahead as I’d read that the buffet can get busy, especially if tour groups is passing through.

This proved to be good advice.

Dining room beside the windows

We found ourselves a window seat in the spacious dining room and were met with friendly but unobtrusive service. There was a nice variety of diners here, some on an organised tour, others (like us) just there on their own steam. It felt airy thanks to natural light.

Cold buffet salads and sides

Prawns and shellfish on ice

Servery counter with glass guard

Carvery sausages and grilled meats

Basket of fresh bread rolls

Baked pasta on the hot buffet

Copper chafing dish of curry

A chafing tray of a yellow sauced dish.

Two chafing trays side by side on the

Braised dish under heat lamps

Golden fried pieces on tray

Hot chafing trays along servery

A tray of baked pasta on the hot

More hot dishes ranged along the buffet.

A tray of fries kept warm under the

I wasn’t expecting such a large selection of food in the buffet. At one end, there were cold salads and fresh seafood, including prawns and other shellfish. Then further down, there was the hot section: sausages, carvery meats, lots of bread rolls, baked pasta, curries and…

Under the heat lamps, things which I guessed might have been made in the hangi (but I could be wrong). Fried stuff as well, including chips if you’re feeling homesick. It’s a generous selection of food, enough to have seconds without running out of variety.

Glazed roast joint ready to carve

Carving station with roast joint

There was also a roast joint being carved at the carving station. Staff was slicing off some portions on demand so I tried a couple of slices. They were good.

Not fancy but moist and cooked correctly. But I wasn’t here for the roast meats: I was here for the hangi dishes. These certainly have their own unique smoky flavour, absent from the oven-cooked equivalent.

The meat was falling-apart tender. That’s what all this cooking-underground-for-hours business is about, I gather.

Dressed items on the cold counter

Large bowls of dressed salads

A bowl of green salad on the cold

A couple of times I went back to the cold section and had some of the dressed salads which were simple but well put together. Fresh things is always welcome to balance out the heavier stuff, and I liked it here. Buffet food can be overwhelming if you have too many choices.

This didn’t feel like that.

Juice dispensers at drinks station

Buffet counter down its length

Buffet and dining room overview

There was enough variety to make it interesting, but not so much that it became stressful. There was a drinks station with juice dispensers and I filled up a few glasses while waiting for my next plate.

Self-serve coffee machine station

Plated dessert from sweet counter

Even though they were getting busier, there was plenty left on the buffet counter, which you can see in its entirety from where I was seated. It makes sense: all the hot food together, all the cold stuff over here, drinks and coffee over here. Self-serve coffee machine?

Yes please!

Te Puia

The car park entrance sign — TE PUIA,

Tall carved timber poles standing at the entrance

The entrance frontage with TE PUIA NEW ZEALAND

The carved waharoa gateway between the TE PUIA

The carved gateway standing over the red brick

After the main course I got an espresso, and it was just fine, not specialty cafe standard, but better than instant. Dessert was lighter than I expected, which suited me. From the sweet counter I chose what appeared to be a panna cotta or mousse.

It was pleasant and left me neither stuffed nor disappointed by eating too much. Some buffets pile on the heavy stuff; I liked the restraint of this one. We spent a few more hours at Te Puia after lunch.

From the car park, you can tell they take their cultural role seriously here by the carved gateway and entrance posts. There’s far more to see than just the restaurant, which I hadn’t realised, and I’m glad we’d left enough time to wander around.

A covered walkway with interpretive panels ranged along

A bronze figure set among flax and planting

There were also some covered walkways with information panels explaining various parts of Maori culture and their importance/history. The information was substantial but not academic, which I appreciated (it wasn’t dumbed down at all). There were sculptures and plantings dotted throughout the grounds, which made it feel like everything about this site had been carefully thought out.

Pātaka Kai digital menu screens

A wall of framed certificates beside the office

An interpretive panel of photographs describing the daytime

A site map panel headed Haere mai, welcome

The entrance foyer with exhibits along the wall

A long wall of black and white portraits

A glass display panel etched with Kia Ora

An interpretive panel headed Te Ara Tukutuku /

There were more exhibits and panels back in the area by the entrance foyer, explaining the workshops and other daytime activities. There’s a site map that helped me get my bearings (but most of the time, we just walked along the paths and took it as it came). One thing that really caught my eye was the wall of portraits.

It showed dozens of faces of people from different generations who has been connected with the place and what it does.

A path lined with carved posts, a visitor

The NZ Māori Arts & Crafts Institute building

A display panel headed Ngā Whaka-rākeitanga tapu /

A case of carved pendants — hei tiki

A panel headed TE TAKAPŪ-O-ROTOWHIO / THE NATIONAL

For me, however, it was the New Zealand Maori Arts and Crafts Institute that really drew me in. As you walk up to the workshop buildings, they is lined with carved posts. And if you look into the windows, you can see people actualy at work.

There are display cases filled with detailed carved pendants and more, and panels that explain the techniques and traditional meanings behind them all. I could of spent longer here, there was just so much detail to take in.

A carver working at his bench seen through

A panel headed Te Uaratanga Wairua / Spiritual

A display case of carved bone and stone

A case of cast figures in glass and

A panel headed TE AHI KŌMAU / CASTING

A panel headed Rawa taketake / Raw material

A case with a carved bone piece and

A panel headed Rawa auaha / Innovative materials

A tall case holding a carved staff and

A carved tewhatewha mounted on a stand in

More display cases showed the range of materials used, bone, stone, glass… And the different casting and carving methods. There is also a window where you can watch as a carver works away, totally engrossed in his creation.

I didn’t want to interrupt so I stayed outside watching but it was fascinating. The closer you look at them the more impressed you are with the carved staffs and ceremonial weapons. Information panels detail their practical uses as well as their spiritual importance.

The wood carving workshop with benches down its

A large openwork carved panel displayed in its

A panel headed TE WĀNANGA WHAKAIRO RĀKAU O

The workshop with carved panels stacked along the

A case of carved wooden pieces with their

A panel headed Ngā taonga puoro / Musical

Panels of carving pattern samples worked into timber.

More carved pattern samples with their labels beneath.

As it turned out, the actual wood carving workshop was bigger than I imagined, lined with benches that ran along the space and stacked with carved panels on the walls. Some of them appeared to be unfinished works-in-progress; others looked finished and ready to go. There were also display cabinets filled with various types of musical instruments and different patterns of carvings, each labeled with their traditional name.

What really hit me is that this isn’t just a tourist site, it’s a school where people come to learn a skill that has been handed down through generations.

Carvers at work on a large piece in

A panel headed Ngā taera whakairo ā-rohe /

A panel with a carved figure and its

A panel with pounamu pieces displayed against a

The timber store with logs stacked ready for

A panel headed Whakarite rākau / Preparing the

A panel headed Whakarite hinengaro / Preparing the

On seeing some carvers at work on a big piece, I was pleased to see that they had arranged the workshops so that you can look in but not get in the way. There are more panels explaining what sort of timber is used, such as the logs piled up in their store. Other panels explain how it is prepared for carving.

There are also panels about the various different local styles of carving. It was the bit about preparing your mind as well as the timber that made me realise just how much mental discipline there is in this kind of work.

A panel headed NGĀ TIKANGA O TE RARANGA

A gallery wall hung with historic black and

A panel headed TE RITO / THE NATIONAL

A case with woven kete and a piupiu

A Harakeke / New Zealand flax display with

A framed portrait of Emily Schuster with her

Pātaka Kai signature dish chalkboard

The weaving section was just as good. There were cases showing examples of traditional garments and baskets, panels explaining the protocols around flax weaving, and more. I learnt all about harakeke and what it’s used for.

I learned how it’s grown, harvested, and prepared. I also got to see some examples of the finished product. There was even a portrait of Emily Schuster and her biography…

Another reminder that it’s real people who keep these traditions going. As we exited we walked past the signature dish chalk board at Pataka Kai, and I found myself tempted to return to try one dish in particular instead of the buffet next time. In the end, Te Puia proved to be more than a place for lunch.

While the food at Pataka Kai was solid (and it did give me a good taste of how hangi is cooked), it was the galleries and workshops that made visiting worth it. I’d recommend allowing a couple of hours here if you go, there’s a lot to see if you’re into the craft side of things, and don’t want to rush around. Entry isn’t cheap, but that includes everything and you’re helping support a working school, not just a show.

Let me know if you’ve visited Te Puia or eaten hangi elsewhere in Rotorua, too, I’d be keen to hear about your experience.

Author

  • Junpei

    Hi, I am Junpei, the owner of JourneyRambler.com! In this blog, I will share my personalized travel experience. This blog will record and share every moment in my journey. Hope you find this blog useful for your travel guidance.

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